Grotesque imagery is widely used by all genres and movements of art and literature without exception, but its historical development and theoretical aspects have not been sufficiently studied. This study seeks to define and diagnose the main aspects of the development of the grotesque as a literary problem. The leading methods of researching this problem are methods of analysis, deduction, induction, and comparison of approaches. The research covers the approaches to the study of the grotesque phenomenon; the interpretation of this trope is provided, its origin is described, in whose works it is widely used; the forms of grotesque and its specific features are described; various theoretical concepts of the question are demonstrated; the codes of grotesque poetics and their levels of display in the artistic system of works are identified; the qualities and features of Poe’s literary activity are diagnosed, and the components of the grotesque aesthetics are defined. The material in this study is of practical and theoretical value to students and literary scholars who study literature and its artistic features.

中文翻译：

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作为文学问题的怪诞

怪诞意象毫无例外地被所有艺术和文学流派和运动所广泛使用，但其历史发展和理论方面尚未得到充分研究。本研究旨在定义和诊断怪诞文学问题发展的主要方面。研究这一问题的主要方法是分析法、演绎法、归纳法和方法比较法。研究涵盖怪诞现象的研究方法；提供了该比喻的解释，描述了其起源，并在其作品中广泛使用；描述了怪诞的表现形式及其具体特征；论证了该问题的各种理论概念；确定了怪诞诗学的代码及其在作品艺术体系中的展示水平；诊断了坡文学活动的品质和特征，并界定了怪诞美学的组成部分。本研究的材料对于研究文学及其艺术特征的学生和文学学者具有实践和理论价值。