This paper brings together three parallel strands of work—Black Geographies, geographies of Caribbean creative practice, and quantum geographies. The paper begins by considering static linear spacetimes as colonial spacetimes, and draws on Michelle Wright's critique of Middle Passage epistemologies, from Black Studies, to elaborate on this. It then moves through a number of ways in which, over the last couple of decades, I have drawn together insights from Wilson Harris and Karen Barad to explore how quantum mechanics can facilitate a conversation about uncertainty, connectedness, entanglement and the liveliness of always already climate-changed landscapes in relation to Black embodiment. In pushing briefly into string theory, the paper ends with the possibility of connecting spirituality with materialities, to push towards more politically attuned forms of emancipation.

中文翻译：

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量子黑色创意地理学：气候危机时期的体现、连贯性和超越性†

本文汇集了三个平行的工作——黑人地理学、加勒比创意实践地理学和量子地理学。本文首先将静态线性时空视为殖民时空，并借鉴米歇尔赖特对黑人研究中的中间通道认识论的批评来详细阐述这一点。然后，它通过多种方式发展，在过去的几十年里，我汇集了威尔逊·哈里斯和凯伦·巴拉德的见解，探索量子力学如何促进关于不确定性、连通性、纠缠性和总是已经存在的活力的对话。气候变化的景观与黑人的体现有关。在简要介绍弦理论时，本文最后提出了将灵性与物质性联系起来的可能性，以推动政治上更加协调的解放形式。