• Notes on Contributors

Justin Chandler is a Marion L. Brittain Postdoctoral Fellow at Georgia Institute of Technology, specializing in American literature from the late nineteenth century to the present. His current research explores the intersections of American pragmatism, the Black radical tradition, and Black speculative fiction. He is the 2023 winner of the Arthur O. Lewis Award from the Society for Utopian Studies. His creative work has appeared in Epiphany and Hobart.

Jonathan A. Cook is the author of Satirical Apocalypse: An Anatomy of Melville’s “The Confidence Man” (1996), Inscrutable Malice: Theodicy, Eschatology, and the Biblical Sources of “Moby-Dick” (2012), and Neither Believer nor Infidel: Skepticism and Faith in Melville’s Shorter Fiction and Poetry (2023); he is co-editor of Visionary of the Word: Melville and Religion (2017). He has published widely on Irving, Hawthorne, Poe, Melville, and other nineteenth-century American writers. His annotated bibliography on the Bible and American literature is available at Oxford Bibliographies Online.

Aaron Shaheen is the George C. Connor Professor of American Literature at the University of Tennessee at Chattanooga, where he teaches courses in modernism. His most recent essays have appeared in PMLA, Modernism/modernity, Modern Fiction Studies, and Arizona Quarterly. His most recent monograph is titled Great War Prostheses in American Literature and Culture (Oxford University Press, 2020). At present he is at work on a manuscript that examines how Great War mapping innovations influenced American literature of the 1920s and ‘30s.

Preston Taylor Stone (he/they) is Associate Director of Native American Studies at the Center for Comparative Studies in Race & Ethnicity at Stanford University.

Eva Tettenborn is Associate Professor of English at The Pennsylvania State University, Scranton Campus. She teaches American literature, African American literature, composition, and business writing classes. She serves as a consulting editor at Critique: Studies in Contemporary Fiction. Her work on contemporary African American authors has appeared in African American Review, Callaloo, Critique, MELUS, Obsidian, Short Story, Southern Literary Journal, Studies in American Culture, and Transformations. Together with Stephanie Brown, she co-edited and contributed to Engaging Tradition, Making It New: Essays on Teaching Recent African American Literature (Cambridge Scholars Publishing, 2008).

Michael T. Wilson is Associate Professor in English at Appalachian State University in Boone, North Carolina. His work has also appeared in The Edith Wharton Review, The Journal of American Culture, and Shirley Jackson: A Companion. His current projects continue his focus on gender and culture, and on Wharton and Jackson in particular.

• 贡献者注释

贾斯汀·钱德勒 (Justin Chandler) 是佐治亚理工学院 Marion L. Brittain 博士后研究员，专门研究 19 世纪末至今的美国文学。他目前的研究探讨了美国实用主义、黑人激进传统和黑人推理小说的交叉点。他是乌托邦研究学会 2023 年亚瑟·O·刘易斯奖的获得者。他的创作作品曾出现在《主显节》和《霍巴特》。

乔纳森·A·库克 (Jonathan A. Cook) 是《讽刺启示录：剖析梅尔维尔的“自信者”》(1996 年)、《难以捉摸的恶意：神义论、末世论和《白鲸记》的圣经来源》 (2012 年) 和《既不信徒也不异教徒》的作者：梅尔维尔短篇小说和诗歌中的怀疑论和信仰（2023）；他是《Visionary of the Word: Melville and Religion 》（2017 年）的联合编辑。他发表了大量有关欧文、霍桑、坡、梅尔维尔和其他 19 世纪美国作家的著作。他关于圣经和美国文学的注释参考书目可在牛津参考书目在线找到。

亚伦·沙欣 (Aaron Shaheen) 是田纳西大学查塔努加分校美国文学乔治·C·康纳教授，教授现代主义课程。他最近的文章发表在《PMLA》、《现代主义/现代性》、《现代小说研究》和《亚利桑那季刊》上。他最新的专着名为《美国文学与文化中的伟大战争假肢》（牛津大学出版社，2020 年）。目前，他正在撰写一份手稿，探讨一战地图创新如何影响 20 年代和 30 年代的美国文学。

普雷斯顿·泰勒·斯通（他/他们）是斯坦福大学种族与民族比较研究中心美洲原住民研究副主任。

伊娃·特滕伯恩 (Eva Tettenborn) 是宾夕法尼亚州立大学斯克兰顿校区的英语副教授。她教授美国文学、非裔美国文学、作文和商业写作课程。她担任《批判：当代小说研究》的顾问编辑。她关于当代非裔美国作家的作品发表在《非裔美国人评论》、《Callaloo》、《批判》、《MELUS》、 《黑曜石》、《短篇小说》、《南方文学杂志》、《美国文化研究》和《转型》等杂志上。她与斯蒂芬妮·布朗 (Stephanie Brown) 共同编辑并撰写了《融入传统，焕然一新：近期非裔美国文学教学论文》（剑桥学者出版社，2008 年）。

迈克尔·T·威尔逊 (Michael T. Wilson) 是北卡罗来纳州布恩市阿巴拉契亚州立大学的英语副教授。他的作品还出现在《伊迪丝·沃顿评论》、《美国文化杂志》和《雪莉·杰克逊：同伴》上。他目前的项目继续关注性别和文化，特别是沃顿商学院和杰克逊。