Enescu’s Impressions d’enfance is notable for the ways in which it evokes a childlike fascination with the world. This article considers not only how this experiential mode is constructed, but also how the topic of childhood overlaps with Enescu’s conception of an enchanted dwelling-place, particularly in the context of how humans interact with the natural world. I argue that exploring such ‘strategies of enchantment’ and their musical framing allows not only for a more nuanced understanding of Enescu’s aesthetics and his music, but also of the role that enchantment as an aesthetic category occupies within musical modernity more broadly.

中文翻译：

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童年的魅力与自然的魅力：聆听埃内斯库的《童年印象》

埃内斯库的童年印象以其唤起孩子般对世界的迷恋的方式而闻名。本文不仅考虑了这种体验模式是如何构建的，还考虑了童年主题如何与埃内斯库的迷人居所概念重叠，特别是在人类如何与自然世界互动的背景下。我认为，探索这种“魅力策略”及其音乐框架不仅可以更细致地理解埃内斯库的美学和他的音乐，而且可以更广泛地理解魅力作为一种美学范畴在音乐现代性中所扮演的角色。