Les Six and their mentors stirred a debatement of French nationalist music in the early 20th century. However, this movement faced serious criticism and mockery from various quarters and eventually fell apart amid challenges. This critical review explores the ethnosymbolic dynamics within the nationalism music movement of Les Six, and drawing upon ethnomusicological perspectives, the study examines how their compositions reflected and resonated with French national identity and cultural heritage. By analyzing primary sources, scholarly literature, and musical compositions, this article meticulously uncovers the chain reactions generated in the process of constructing national identity and cultural identity within this movement by examining the French societal backdrop, musical traditions, as well as the relationships and attitudes among relevant figures in this movement. The conclusions highlight the multifaceted nature of ethnosymbolism in their work, shedding light on the complexities of national identity construction through music.

中文翻译：

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共鸣反思：六人音乐民族主义运动中民族象征动态的批判性回顾

六人乐队及其导师在 20 世纪初引发了一场关于法国民族主义音乐的争论。然而，这场运动遭到了各方的严厉批评和嘲笑，最终在挑战中分崩离析。这篇批判性评论探讨了“六人”民族主义音乐运动中的民族象征动态，并利用民族音乐学的视角，研究了他们的作品如何反映法国民族身份和文化遗产并与之产生共鸣。本文通过对第一手资料、学术文献和音乐作品的分析，通过考察法国的社会背景、音乐传统以及关系和态度，细致地揭示了这场运动中构建国家认同和文化认同过程中产生的连锁反应。这场运动的相关人物中。结论强调了他们作品中民族象征主义的多面性，揭示了通过音乐构建民族身份的复杂性。