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Licensed Unlicensed Requires Authentication Published by De Gruyter October 23, 2021

Clare Finburgh. Watching War on the Twenty-First Century Stage: Spectacles of Conflict. London: Bloomsbury Methuen Drama, 2017, xv + 355 pp., £76.50 (hardback), £26.99 (paperback), £21.59 (PDF ebook).

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From the journal Journal of Contemporary Drama in English
https://doi.org/10.1515/jcde-2021-0029

Reviewed Publication:

Clare Finburgh. Watching War on the Twenty-First Century Stage: Spectacles of Conflict. London: Bloomsbury Methuen Drama, 2017, xv + 355 pp., £67.50 (hardback), £26.09 (paperback), £25.05 (PDF ebook).

Published Online: 2021-10-23
Published in Print: 2021-11-02

© 2021 Walter de Gruyter GmbH, Berlin/Boston

From the journal
Journal of Contemporary Drama in English
Journal of Contemporary Drama in English
Volume 9 Issue 2

Journal and Issue

Articles in the same Issue

Frontmatter
Frontmatter
“It Can’t Happen Here”: Howard Brenton’s The Churchill Play
“My Skin Is Not Me”: The Transformations of William Shakespeare’s Othello in Ann-Marie MacDonald’s Goodnight Desdemona (Good Morning Juliet) and Djanet Sears’s Harlem Duet
“You Don’t Know Who This Man Is”: Hospitality and Trauma in Alexandra Wood’s The Human Ear
Family Matters: Trauma and the Legacy of War in James Allen Moad II’s Outside Paducah: The Wars at Home
When Young Playwrights Are Kept Awake Because of History: Cultural Memory and Amnesia in Recent American Plays
This Is England 2021: Staging England and Englishness in Contemporary Theatre
Memory, National Identity Formation, and (Neo)Colonialism in Hannah Khalil’s A Museum in Baghdad
Book Reviews
Emily Klein, Jennifer-Scott Mobley, and Jill Stevenson, ed. Performing Dream Homes: Theater and the Spatial Politics of the Domestic Sphere. Cham: Palgrave Macmillan, 2019, xvi + 238 pp., €84,99 (hardback), €71,68 (ebook).
Michael Shane Boyle, Matt Cornish, and Brandon Woolf, ed. Postdramatic Theatre and Form. London: Methuen, 2019, xii + 266 pp., £52.50 (hardback), £26.09 (paperback), £37.12 (PDF ebook).
Sarah J. Ablett. Dramatic Disgust: Aesthetic Theory and Practice from Sophocles to Sarah Kane. Bielefeld: transcript, 2020, 199 pp., €38.00 (paperback), €37.99 (PDF ebook).
Clare Finburgh. Watching War on the Twenty-First Century Stage: Spectacles of Conflict. London: Bloomsbury Methuen Drama, 2017, xv + 355 pp., £76.50 (hardback), £26.99 (paperback), £21.59 (PDF ebook).
Kim Solga. Theory for Theatre Studies: Space. London: Bloomsbury, 2019, 208 pp., £45.00 (hardback), £11.69 (paperback), £9.35 (ebook).
Shonagh Hill. Women and Embodied Mythmaking in Irish Theatre. Cambridge: Cambridge UP, 2019, x + 257 pp., £75.00 (hardback).
Marco Galea and Szabolcs Musca, ed. Redefining Theatre Communities: International Perspectives on Community-Conscious Theatre-Making. Bristol and Chicago: Intellect, 2019, 262 pp., £76.00 (hardback).
Roxanne Rimstead and Domenico A. Beneventi, ed. Contested Spaces, Counter-Narratives, and Culture from Below in Quebec and Canada. Toronto: U of Toronto P, 2019, 348 pp., $71.25 (hardback), $71.25 (ebook).
Jenn Stephenson. Insecurity: Perils and Products of Theatres of the Real. Toronto, Buffalo, and London: U of Toronto P, 2019, viii + 286 pp., $75.75 (hardback), $57.75 (ebook).
Molly Mullen. Applied Theatre: Economies. London: Bloomsbury Methuen Drama, 2019, xiv + 265 pp., £38.31 (hardback), £31.10 (paperback), £22.58 (Kindle ebook).
William C. Boles, ed. After In-Yer-Face Theatre: Remnants of a Theatrical Revolution. London: Palgrave Macmillan, 2020, xvi + 251 pp., £79.99 (hardback), £63.99 (ebook).
Daphne P. Lei and Charlotte McIvor, ed. The Methuen Drama Handbook of Interculturalism and Performance. London: Methuen Drama, 2020, 280 pp., $157.00 (hardback), $126.00 (PDF ebook), $126.00 (EPUB/MOBI ebook).
Stephen Greer. Queer Exceptions: Solo Performance in Neoliberal Times. Manchester: Manchester UP, 2019, ix + 222 pp., £80.00 (hardback), £20.00 (paperback), £20.00 (ebook).
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