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Retrospect Opera: Reviving Britain's Operatic Past

Published online by Cambridge University Press:  10 February 2022

Christina Fuhrmann
Christina Fuhrmann*
Affiliation:
Baldwin Wallace University Email: cfuhrman@bw.edu
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Abstract

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Type
Introduction
Information
Nineteenth-Century Music Review , Volume 19 , Special Issue 1: Music, Medical Science and the Body/Retrospect Opera: Reviving Britain's Nineteenth-Century Operatic Past , April 2022 , pp. 107 - 110
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Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press

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References

1 See www.retrospectopera.org.uk (accessed 8 June 2021).

2 Hogarth, George, Memoirs of the Opera in Italy, France, Germany, and England, 2 vols (New York: Da Capo Press, [1851] 1972): 140–41Google Scholar.

3 Nicholas Temperley, ‘Great Britain’, in Grove Music Online, www.oxfordmusic.com (accessed 30 April 2021).

4 ‘Drama: English Opera House’, The London Literary Gazette and Journal of Belles Lettres, Arts, Sciences, etc., 25 August 1827.

5 Galloway, William Johnson, The Operatic Problem (London: J. Long, 1902)Google Scholar.

6 Gilman, Todd, The Theatre Career of Thomas Arne (Newark: University of Delaware Press, 2012)Google Scholar.

7 Rodmell, Paul, Opera in the British Isles, 1875–1918 (London: Ashgate, 2013)Google Scholar.

8 See https://londonstage.bodleian.ox.ac.uk/ (accessed 30 December 2021).

9 See https://www.kcl.ac.uk/research/music-in-london-1800-1851 (accessed 8 June 2021).