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Retrospect Opera: Reviving a Forgotten Mainstream

Published online by Cambridge University Press:  02 February 2022

James Brooks Kuykendall
James Brooks Kuykendall*
Affiliation:
University of Mary Washington jkuykend@umw.edu
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Type
Interview
Information
Nineteenth-Century Music Review , Volume 19 , Special Issue 1: Music, Medical Science and the Body/Retrospect Opera: Reviving Britain's Nineteenth-Century Operatic Past , April 2022 , pp. 111 - 118
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Copyright © The Author(s), 2022. Published by Cambridge University Press

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References

1 For example, Lamb, Andrew, ‘Music of the Popular Theatre’, in The Athlone History of Music in Britain: The Romantic Age 1800–1914, ed. Temperley, Nicholas (London: Athlone Press, 1981): 92–108Google Scholar; Michael Hurd, ‘Opera: 1834–1865’, in ibid., 307–29; Nigel Burton, ‘Opera: 1865–1914’, in ibid., 330–57; and Caldwell, John, The Oxford History of English Music, vol. 2 (Oxford: Oxford University Press 1999): 176–210 and 246–58Google Scholar.

2 Nicholas Temperley, ‘Musical Nationalism in English Romantic Opera’, in The Lost Chord: Essays on Victorian Music, ed. Nicholas Temperley (Bloomington: Indiana University Press, 1989): 143–58.

3 See Wiley, Christopher, ‘Music and literature: Ethel Smyth, Virginia Woolf, and “the First Woman to Write an Opera”, in Musical Quarterly 96/2 (2013): 263–95CrossRefGoogle Scholar.