Abstract
This article explores forms of haptic sociality in interspecies interaction. Data examined are taken from a corpus of equine assisted therapy sessions, in Finland and France. During these sessions, therapists invite clients to pay close attention to the horse’s behavioral displays of comfort or discomfort and to react accordingly. In this way, the horse is regarded as a living, sentient creature, whose body has haptic and kinesthetic properties, resulting in socialization practices that cultivate forms of care. The study discusses Merleau-Ponty’s concept of “esthesiologic body”, in light of analytical instances, draws on contemporary re-examinations of phenomenological notions (such as intersubjectivity and intercorporeality) by ethnomethodologists and analysts of social interaction, and proposes to respecify them in the particular context of human–animal interactions. The argument is inspired by a conversation analytic approach, sensitive to the orderly character of social actions. Two formats, displaying diverse ways in which participants interact with the horse as an esthesiologic body, are examined in detail. The analysis shows the fundamental role played by touch and haptic practices in the practical accomplishment of intercorporeality.
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Notes
The journal Human Studies being described by Lynch as “[its] most consistent outlet” (2002: 485).
Merleau Ponty also mentions a relation of “kinship” (parenté) between humans and animals (1996: 89). On this point, see also Daly (2022).
See also Shapiro (1990), who argues for “kinesthetic empathy” in order to understand dogs.
The complete quotation is: “This Ineinander between sentient beings and the different forms of corporeality accounts for the reciprocal participation between human perceptive life and animality, revealing, ipso facto, that the esthesiologic body is in a relationship of intercorporeity with animal life, through a model of projection, introjection and reinvestment, which expresses the strange kinship revealed by the morphogenetic configuration of life".
But see also Laurier et al., 2006, or Mondémé, 2022a for an exhaustive review of the EMCA literature on human/animal interaction – a body of work that will not be discussed in details here.
In French the turn is constructed with an impersonal pronoun (“il ne faut pas,” one must not), and carries a high normative charge.
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Acknowledgements
Data presented in this paper were collected within the MEDEQUIN project funded by the French Horse and Riding Institute (Institut Français du Cheval et de l’Équitation, IFCE), and the writing was supported by InSHS of the CNRS as part of an International Mobility Grant (Franco-Czech TANDEM program).
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Mondémé, C. Interspecies Haptic Sociality: The Interactional Constitution of the Horse’s Esthesiologic Body in Equestrian Activities. Hum Stud 46, 701–721 (2023). https://doi.org/10.1007/s10746-023-09667-5
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DOI: https://doi.org/10.1007/s10746-023-09667-5